For me, hands down it's "Got My Mind Set On You" by "Georgie Boy" Harrison as his friends called him.
The song dominates. It automatically makes you want to dance, or at least smile and kind-of wobble your head. Maybe do a Carlton from Fresh Prince if your feeling up to it. The song has a clear message, that is transcendental... if you want a girl it's, "gonna take money, a whole lot of spending money". This is true, just ask George's ex-bandmate Sir Paul. Largest divorce settlement in British history. And lastly, amazing music video:
So, what about my Top 10. No, you say? Tough.
Top 10 Favorite Songs by Beatles in the Post Beatles Era.
#10. "Nothing Too Much Just Out Of Sight" - Paul McCartney
This album came out last year, and was released under the artist The Fireman. It came out, at least to me, later that it was Paul. I like this song because it shows that with so many artist taking from The Beatles over the years, that Paul can be inspired by influences he's hearing now. And then/still write and play in that realm.
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#9. "Wonderful Christmastime" - Paul McCartney / "Happy Christmas (War is Over)" - John Lennon
That's right. A tie. I feel that writing a Christmas song has got to be one of the hardest songs to write. It's the one time throughout the year people are guaranteed to be listening to music. They are wanting something nostalgic, which is why A Christmas Song and Joy to the World is covered so much, so something new is not always invited. Plus, since the music is being played so much that if the song sucks, it's very clear, very fast. But these two have become mainstays of the season, playing again and again without annoying (too much). One is pop-ie, the other cause oriented, but they both are quality songs that brighten my December. November. Part of October, now.
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#8. "Uncle Albert/Admiral Halsey" - Paul McCartney
I like "Butter pie". What can I say?
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#7 "My Sweet Lord" - George Harrison
You gotta love when an artist can take a fundamentally religious song, and make it a broadly popular and iconic track. You feel love, joy and excitement when you hear the song. And the lyrics are inspirational, yet not overdone.
#6. "Live and Let Die" - Paul McCartney
Arguably the best Bond song of all time. This song has an extreme range and depth. It's a genuine Rock song, yet the strings and the chorus make it a beautiful song to listen to as well. I like to make a gun with my fingers, and duck around corners when listening to it. Sometimes somersaulting.
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#5. "Say, Say, Say" - Paul McCartney
Paul and Michael. Can't be beat (except by the next 4 songs).
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#4. "Instant Karma!" - John Lennon
Classic. It's been covered by everybody, but noone quite lands it like John. A rallying cry still today, regardless of your personal issues or endeavor.
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#3. "Maybe I'm Amazed" - Paul McCartney
Beautiful love song. Heavy Rock. This is a love song for men. Huge range here as well. Paul's vocals are spot on. Not to much screaming, not to much singing. Just right.
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#2. "Imagine" by John Lennon
Probably most people's number one. I love it. It's sweet, has meaning. Its sad, inspirational and makes anyone who hears it feel empowered to change the world. Perfect song.
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AND
#1. "Got My Mind Set On You" by George Harrison
Again, perfect combo of salty and sweet. The epitome of a pop song. You here that drum track in the beginning, some synth and Georges voice, and you're done. Two times out of 10, if "Imagine" comes on my iTunes, I'll skip it. I never skip this song, in fact, in all likelihood I'll play it twice.
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Tell me your list. Comment here or find me on Facebook and Twitter.
In Life Aquatic we saw Anderson's fasination with Stop Motion Animation in a lot of the wild life portrayed in the film. Well, his most recent film Roald Dahl's The Fantastic Mr. Fox, is a feature length animated movie. I was curious how Anderson would keep his signature stlye (balanced cinematography, panning one-take shots and a keen eye for set and character organization) in the animated universe.
Check out the Trailer and you'll see it wasn't that hard.
I've been excited for this film since I read about it, and I'm more excited now.
It looks like the entire this was done stop-motion. Think Rudolph the Red Nosed Reindeer, not Pixar. No CGI, or not much. He just made sets, made characters and started shooting and moving, one frame at a time. Here's a little featurette that explains the technique Wes Anderson and his team used.
Troy Duffy finally did it? After the fiasco that was Boondock Saints and his life, he finally got his long awaited sequel made and ready to distribute. Fiasco? Have you seen this film, Overnight:
Basically Troy Duffy sold the script with little to no experience in the industry. Made a million dollars then started spending, abandoning friends he considered leeches and drinking a ton. At the same time, the studios faith in the film and Duffy began to sour. Instead of instilling confidence, Troy Duffy lashed out at producers and studio execs, likening himself to the next John Woo or Tarantino. All in all the film barely got made, was never released in theaters and Duffy had to sell his rights to the movie just to get a distributor to release it strait to DVD. Meaning as popular as it got, he never made a dime.
This is why the first film went strait to DVD, but also why it became a cult classic among college aged guys across the country. It wasn't a movie forced down their throats, it was a film they happened upon or were referred to by a friend. And they loved it.
Boondock is action movie porn and directorial masturbation, but it works. It appeals to the masses, while having the feel of an indie film. It's super quotable, just mention needing a rope to any guy between 19 and 30, and see what they say. Gratuitous violence in the name of God has a soft spot in my heart, and every guy wants to be a vigilante at some point in their life.
All Saints Day, which features the majority of the original cast (Except Willem Defoe) could go either way. Either it will try too hard to be the first movie, and not reach a full potential. Or, it will try too hard to be a different film, and abandon the fans that have made the, now, franchise popular. I guess there is a third option, and that is that it will completely dominate. I'm not holding my breath, but I'm sure one of my hundreds of friends that consider the first Boondock Saints one of the best movies ever made will get me into the theater to see it. October 30, 2009.
It is well art directed and interestingly concepted. I wish the writing was better. Something which ties to the idea that, "you thought 9/11 was bad ...". I don't feel that using "The Tsunami" as an example, especially art directed the way it is, works. I guess they mean the Tsunami that ravaged Indonesia a few years ago, but I think that it gets lost in translation.
However, what are our thoughts on using September 11, 2001 for marketing purposes? Cause marketing? Is it time?
I think its ok. It's unfortunate this ad has a few too many flaws to be effective. But, I feel with the right tact, the emotional luggage that 9/11 pulls along with it can be an effective tool to help push social issues, or at least give them a benchmark for comparison. An example would be comparing the 1,000s that died on Sept 11 to the 100s of 1000s that have been massacred in Darfur. Something like that.
Just make sure it all makes sense, and works really well. Even a slightly poor idea or execution will not be effective.
I should mention again, as I did in the title, that this ad was and is not sanctioned by the WWF, and if you do find this ad über offensive and want to lash out, please aim your anger somewhere else. Trust me as a designer, it is sooooo easy to get companies actual logos and rip off their style. In this case it was done by a DDB Brazil creative team, and according to this article from AdFreak, that team is, "No longer with the agency."